{"id":16913,"date":"2026-03-26T19:27:48","date_gmt":"2026-03-26T19:27:48","guid":{"rendered":"https:\/\/angelboss.com.br\/?p=16913"},"modified":"2026-03-26T19:27:59","modified_gmt":"2026-03-26T19:27:59","slug":"rosewood-sao-paulo-exposicao-hugo-franca-impressoes-da-terra","status":"publish","type":"post","link":"http:\/\/angelboss.com.br\/en\/2026\/03\/26\/rosewood-sao-paulo-exposicao-hugo-franca-impressoes-da-terra\/","title":{"rendered":"Rosewood S\u00e3o Paulo apresenta nova exposi\u00e7\u00e3o de Hugo Fran\u00e7a nos jardins da propriedade"},"content":{"rendered":"

“Impress\u00f5es da Terra” re\u00fane esculturas em madeira de reaproveitamento e convida \u00e0 reflex\u00e3o sobre natureza, tempo e transforma\u00e7\u00e3o<\/em><\/p>\n\n\n\n\n\n

No Rosewood S\u00e3o Paulo, a arte estrutura a pr\u00f3pria identidade da propriedade. Com uma curadoria minuciosa que privilegia a produ\u00e7\u00e3o nacional e estabelece um di\u00e1logo cont\u00ednuo entre arquitetura, design e cultura brasileira, o hotel se consolida como uma plataforma viva para artistas que exploram a mat\u00e9ria, o territ\u00f3rio e a mem\u00f3ria.<\/p>\n\n\n\n

Nesse contexto, a partir de 24 de mar\u00e7o, o Rosewood S\u00e3o Paulo apresenta, nos jardins da propriedade, uma nova exposi\u00e7\u00e3o de Hugo Fran\u00e7a, aberta ao p\u00fablico. Reconhecido por seu trabalho singular com madeira de reaproveitamento, o artista prop\u00f5e uma reflex\u00e3o sens\u00edvel sobre o tempo, a natureza e os ciclos de transforma\u00e7\u00e3o.<\/p>\n\n\n\n

Ap\u00f3s a mostra Reescrituras (2024), esta segunda exposi\u00e7\u00e3o, intitulada “Impress\u00f5es da Terra”, re\u00fane quinze esculturas concebidas a partir de ra\u00edzes coletadas entre 2014 e 2025. As pe\u00e7as, provenientes de esp\u00e9cies como oiticica, pequi-vinagreiro, bara\u00fana, jatob\u00e1 e jacarand\u00e1, revelam formas org\u00e2nicas marcadas por curvas, tens\u00f5es e ramifica\u00e7\u00f5es, reorganizadas pelo artista sem interferir na integridade da mat\u00e9ria.<\/p>\n\n\n\n

O processo criativo de Hugo Fran\u00e7a parte de um princ\u00edpio \u00e9tico e est\u00e9tico singular: transformar troncos, ra\u00edzes fragmentos arb\u00f3reos, muitas vezes descartados, em obras que reconfiguram a percep\u00e7\u00e3o da madeira. Em vez de impor uma forma, o artista estabelece um di\u00e1logo direto com o material, seguindo os caminhos que a pr\u00f3pria natureza inscreveu ao longo do tempo.<\/p>\n\n\n

\n
\"Hugo<\/figure>\n<\/div>\n\n\n

Sua pr\u00e1tica se afasta da escultura tradicional ao dispensar esbo\u00e7os pr\u00e9vios. A mat\u00e9ria j\u00e1 cont\u00e9m o gesto criativo e a obra se revela no pr\u00f3prio fazer, como se a madeira conduzisse a m\u00e3o do artista. O resultado s\u00e3o pe\u00e7as que extrapolam a dimens\u00e3o est\u00e9tica e convidam \u00e0 reflex\u00e3o sobre os recursos naturais e a rela\u00e7\u00e3o entre homem e ambiente.<\/p>\n\n\n\n

Os t\u00edtulos das obras aprofundam essa narrativa. Entre as esculturas apresentadas nos jardins do restaurante Le Jardin, destacam-se Aimbir\u00e9, associada \u00e0 resist\u00eancia ind\u00edgena, e Miruna, ligada \u00e0 ideia de paz \u2014 acrescentando novas camadas de significado ao percurso expositivo.<\/p>\n\n\n

\n
\"Hugo<\/figure>\n<\/div>\n\n\n

Nascido em Porto Alegre, em 1954, Hugo Fran\u00e7a desenvolveu sua trajet\u00f3ria a partir de uma rela\u00e7\u00e3o direta com a natureza, consolidando-se como um dos principais nomes da chamada “escultura mobili\u00e1ria” no Brasil. Suas obras, j\u00e1 apresentadas em institui\u00e7\u00f5es como o Instituto Inhotim e a Usina de Arte, chegam ao Rosewood S\u00e3o Paulo para dialogar com a paisagem e ampliar a experi\u00eancia art\u00edstica da propriedade.<\/p>\n\n\n\n

A exposi\u00e7\u00e3o permanece em cartaz at\u00e9 23 de junho, integrando-se aos jardins do Rosewood S\u00e3o Paulo como uma extens\u00e3o viva de sua proposta cultural.<\/p>\n\n\n\n

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